Julia Friedman

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Posts Tagged ‘Times Literary Supplement’

Times Literary Supplement (TLS — May 27) book review of Wasted Words and Dust Bunnies by art critic Dave Hickey & art historian Julia Friedman

Posted on May 26, 2016, 12:16 pm, by jfriedman, under Book Review, Dave Hickey.
Tags: Book Review, Dave Hickey, Dust Bunnies, Everyone's A Critic, Times Literary Supplement, Wasted Words
No Comments | Read the rest of this entry »
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    Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art by Julia Friedman
     
    Wasted Words: The Essential Dave Hickey Online Compilation by Dave Hickey
    Compiled by Julia Friedman

    Between June 2014 and April 2015, Dave Hickey posted almost 3,000 digital comments on social media, prompting nearly 700,000 words in response from art lovers, acolytes, and skeptics. Wasted Words is an unedited comprehensive transcript of these exchanges. This polyphonic digital discourse reveals the range of Hickey’s strong opinions, as he embarks on a crypto-enlightenment project for the benefit of "dunces" and "pricks."

    PCP Press
    Paperback, 586 pages, 2016
    ISBN-10: 1517287103
     
    Dust Bunnies: Dave Hickey's Online Aphorisms Edited by Julia Friedman
     
    Dust Bunnies: Dave Hickey's Online Aphorisms June 2014 - March 2015
    Edited by Julia Friedman 

    Dustbunnies is an assemblage of “swept up” fragments that came from a vast digital discourse that took place in Dave Hickey’s social media space between June 2014 and March 2015. During that time Hickey posted almost 3,000 comments, prompting nearly 700,000 words in response from art lovers, acolytes and skeptics. Wasted Words, the resulting volume, is an unedited comprehensive transcript of these exchanges. Its pendant publication, Dustbunnies, distills Hickey’s richly aphoristic comments, extracted from various discussion threads.

    PCP Press
    Paperback, 124 pages, 2016
    ISBN-10: 152327266X
     
    Beyond Symbolism and Surrealism: Alexei Remizov's Synthetic Art by Julia Friedman
     
    Beyond Symbolism and Surrealism:
    Alexei Remizov's Synthetic Art
    by Julia Friedman 

    The great modernist eccentric Alexei Remizov was a “writers’ writer” whose innovative poetic prose has long since entered the Russian literary canon. Gradually expanding his working methods to make drawing an integral part of the writing process, during the 1930s and 1940s, Remizov created hundreds of albums that combined texts with collages and india ink and watercolor illustrations. (more)

    Northwestern University Press
    7 x 10, 300 pgs, Trade Cloth
    ISBN 0-8101-2617-6 / $69.95

     
    Consuming Russia
     
    Consuming Russia: Popular Culture, Sex, and Society since Gorbachev
    Adele Marie Barker (Editor), Eliot Borenstein (Contributor), Julia Friedman (Contributor), Adam Weiner (Contributor), Elizabeth Kristofovich Zelensky (Contributor), Robert Edelman (Contributor)

    With the collapse of the Soviet empire in the late 1980s, the Russian social landscape has undergone its most dramatic changes since the Bolshevik Revolution in 1917, turning the once bland and monolithic state-run marketplace into a virtual maze of specialty shops—from sushi bars to discotheques and tattoo parlors...  (more)

    Paperback: 488 pages
    Publisher: Duke University Press Books (June 10, 1999)
    Language: English
    ISBN-10: 0822323133
    ISBN-13: 978-0822323136
    Google Books: Link
     
    Symbolism: Its Origins And Its Consequences
     

    “A Powerless Seeker: Merezhkovsky’s Romance as Life-Writing” by Julia Friedman

    In Symbolism, its Origins and Consequences. Edited by Rosina Neginsky. Cambridge: Cambridge Scholars, 2010
    Hardcover: 665 pages
    Publisher: Cambridge Scholars Publishing
    New edition edition (October 1, 2010)
    Language: English
    ISBN-10: 1443823929
    ISBN-13: 978-1443823920

    The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L'Art moderne...

     
    Elective Affinities. Word & Image Interactions 6
     

    “The Writing-Drawing Continuum of Alexei Remizov,” by Julia Friedman

    "Elective affinities" - a notion originally borrowed by Goethe for his 1809 novel of the same title from eighteenth-century chemistry - here refers to the active role of the two partners in the relationship of the pictorial and the verbal...

    In In Elective Affinities: Word & Image Interactions 6, 2008
    Edited by Catriona McLeod, Véronique Plesch and Charlotte Schoell-Glass.
    Amsterdam and Atlanta: Rodopi

    Paperback: 422 pages
    Publisher: Rodopi (June 20, 2009)
    Language: English
    ISBN-10: 9042026189
    ISBN-13: 978-9042026186

     
    Artists' Words
     

    “Alexei Remizov’s Creative Act,” by Julia Friedman. Edited by Maurice Geracht and Frédéric Ogée.

    In Interfaces: Image Text Language, vol. 29, 2010

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