Publications

MONOGRAPHS

Beyond Symbolism to Surrealism: Alexei Remizov’s Synthetic Art, Northwestern University Press, (16 color & 46 b/w illustrations)

CHAPTERS in BOOKS

(2013, forthcoming) “Isteriia po-siurrealistki” (“Hysteria: The Surrealist Case”). In Aleksei Remizov: Issledovaniia i materialy (Aleksei Remizov: Research and Materials). Edited by Alla M. Gracheva, Russian Academy of Sciences

JUST OUT: (2012) “Merezhkovsky’s Leonardo.” In The Lives of Leonardo. Edited by Thomas Frangenberg and Rodney Palmer, Warburg Institute Colloquia.

(2010) “A Powerless Seeker: Merezhkovsky’s Romance as Life-Writing.” In Symbolism, its Origins and Consequences. Edited by Rosina Neginsky. Cambridge: Cambridge Scholars.

(2008) “The Writing-Drawing Continuum of Alexei Remizov.” In Elective Affinities. Word & Image Interactions 6. Edited by Catriona McLeod, Véronique Plesch and Charlotte Schoell-Glass. Amsterdam and Atlanta: Rodopi

(2003) “Ot teksta i izobrazheniia k zvuku: rukopisnyi al’bom “Marun” kak primer sinteticheskogo tvorchestva Alekseia Remizova” (“From Text and Image to Sound: the Album “Marun” As an Example of Alexei Remizov’s Synthetic Art”). In Aleksei Remizov: Issledovaniia i materialy (Aleksei Remizov: Research and Materials). Edited by Alla M. Gracheva and Antonella d’Amelia, St. Petersburg-Salerno: Russian Academy of Sciences/Institute of Russian Literature

(1999) “Between a Rock and a Hard Place: Holy Rus’ and Hard Cash in Post-Soviet Rock Music,” co-author. In Consuming Russia: Popular Culture, Sex, and Society Since Gorbachev. Edited by Adele Barker, Duke University Press

JOURNAL ARTICLES

(2012) “The Invisible Cosmology of Chihiro Kabata,” GLOSSARY, vol. 1, Edited by Charles Merewether. Institute of Contemporary Art, Singapore

(2010) “Alexei Remizov’s Creative Act,” Interfaces: Image Text Language, vol. 29. Edited by Maurice Geracht and Frédéric Ogée.

(2007) “Cézanne and the Poetics of Metonymy,” Word & Image, 23 (3), July–September

(2003) “Blok’s ‘Gift of Hearing’ Through Remizov’s “Audible Colors,”” Slavic and East European Journal, Volume 47, Number 3

(1996) “Melancholia II: An Interview with Manel Llèdos,” Graven Images: Studies in Culture, Law, and the Sacred, Volume 3

(1995) “On the Iconography of ‘From Many Wounds You Bleed, O People’: An Intersection of Art and Literature,” The Print Collector’s Newsletter 25, 6

BOOK REVIEWS and CONFERENCE PROCEEDINGS

(2013, forthcoming) The Dedalus Book of Russian Decadence. Perversity, Despair and Collapse. Edited by Kirsten Lodge. Dedalus, 2007. Melmoth.

(2008) Oleg Brezgin, Persona Diagileva v khudozhestvennoi kul’ture rossii, zapadnoi evropy i ameriki. Bibliographia. (“Diagilev’s Persona and the Artistic Culture of Russia, Western Europe and the United States. A Bibliography”), (Perm’: 2007) book review, SEEJ 52.3 (Fall 2008).

(2007) “Crossing the Boundaries: Alexei Remizov’s Artistic Space,” “Oni unesli s soboi Rossiiu,” (“They Carried Russia to Exile”), Symposium on the 65th anniversary of The New Review, Harriman Institute, Colombia University, The New Review

(2005) Michael Urban with Andrei Evdokimov, Russia Gets the Blues: Music, Culture, and Community in Unsettled Times (Cornell, 2004), book review, Canadian Slavonic Papers vol. 48, nos. 3-4

(2001) “Vospriiatie fovizma i kubizma v russkoi kritike kontza deviatnadzatogo, nachala dvadzatogo veka.” (“The Reception of Fauvism and Cubism in Turn-of-the-Century Russian Criticism”) Norwich Slavic Conference Proceedings, Konetz veka kak kul”turnyi fenomen (The End of a Century as a Cultural Phenomenon)

EXIBITION REVIEWS for ARTFORUM INTERNATIONAL

“Painting,” Artforum International, PICKS, 01.05.13

Tsibi Geva, Artforum International, PICKS, 09.15.12

Lawrence Weiner, Artforum International, PICKS, 06.06.12

“economy of means: towards humility in contemporary sculpture,” PICKS, 02.11.12

“Requiem for the Sun: The Art of Mono-ha,” PICKS, 03.11.12

Juan Downey, Artforum International, PICKS, 10.15.11

Dmitri Prigov, Artforum International, in print, October 2011

Jean Paul Gaultier, Artforum International, PICKS, 09.12.11

“Venice in Venice,” Artforum International, PICKS, 06.07.11

Paul Kos, Artforum International, PICKS, 05.04.11

Xavier Veilhan, Artforum International, PICKS, 04.07.11

Jack McLean, Artforum International, PICKS, 03.12.11

LG Williams/Estate of LG Williams, Artforum International, in print, May 2011

Aki Sasamoto, Artforum International, PICKS, 01.17.11

Taiji Matsue, Artforum International, PICKS, 10.07.10

Yuuki Matsumura, Artforum International, in print, October 2010

“Nanugi Agency,” Artforum International, PICKS, 09.15.10

Nobuyoshi Araki, Artforum International, in print, September 2010

William Eggleston, Artforum International, PICKS, 07.13.10

Miwa Yanagi, Artforum International, in print, May 2010

Tamotsu Ikeya, Artforum International, in print, March 2010

Ohad Matalon, Artforum International, PICKS, 04.08.10

MeeNa Park, Artforum International, PICKS, 03.03.10

Kosuke Ichikawa, Artforum International, PICKS, 01.21.10

Shinro Ohtake, Artforum International, PICKS, 11.08.09

Seiji Aruga, Artforum International, PICKS, 10.15.09

The HUFFINGTON POST

(2012) “Le Prix Marcel Duchamp récompense-t-il la créativité?”

(2012) “Art in ‘Paradise’ (Far From the Art-Industrial Hive)”

(2012) “The School of Things”: Japanese Art c. 1970 Comes to Los Angeles 

(2011) “Turkey with the Side of Ajax: Thanksgiving According to Alice Neel”