2011       Beyond Symbolism to Surrealism: Alexei Remizov’s Synthetic Art, Northwestern University Press, (16 color & 46 b/w illustrations)


2016      Dustbunnies: Dave Hickey’s Online Aphorisms. June 2014­­–March 2015. PCP Press. 586 pages

2016      Wasted Words: The Essential Dave Hickey Online Compilation. PCP Press. 124 pages


2018      “Isteriia po-siurrealistki” (“Hysteria: The Surrealist Case,”) Aleksei Remizov: Issledovaniia i materialy  (Aleksei Remizov: Research and Materials). Edited by Alla M. Gracheva, Russian Academy of Sciences, forthcoming

2008      “The Writing-Drawing Continuum of Alexei Remizov,” Elective AffinitiesWord & Image Interactions 6. Edited by Catriona McLeod, Véronique Plesch and Charlotte Schoell-Glass. Amsterdam and Atlanta: Rodopi

2003      “Ot teksta i izobrazheniia k zvuku: rukopisnyi al’bom “Marun” kak primer sinteticheskogo tvorchestva Alekseia Remizova” (“From Text and Image to Sound: the Album “Marun” As an Example of Alexei Remizov’s Synthetic Art”). Aleksei Remizov: Issledovaniia i materialy  (Aleksei Remizov: Research and Materials). Edited by Alla M. Gracheva and Antonella d’Amelia, St. Petersburg-Salerno: Russian Academy of Sciences/Institute of Russian Literature

1999      “Between a Rock and a Hard Place: Holy Rus’ and Hard Cash in Post-Soviet Rock Music,” co-author. In Consuming Russia: Popular Culture, Sex, and Society Since Gorbachev. Edited by Adele Barker, Duke University Press


2017      “Sexual Neurosis or Creative Catalyst? Hysteria and Demonic Possession in Alexei Remizov’s Solomoniia,” in Mental Illness in Symbolism. Edited by Rosina Neginsky. Cambridge: Cambridge Scholars Press

2012      “Merezhkovsky’s Leonardo,” The Lives of Leonardo. Edited by Thomas Frangenberg and Rodney Palmer, Warburg Institute Colloquia 22

2010      “A Powerless Seeker: Merezhkovsky’s Romance as Life-Writing,” in Symbolism, its Origins and Consequences. Edited by Rosina Neginsky. Cambridge: Cambridge Scholars Press


2012      “The Invisible Cosmology of Chihiro Kabata,” Glossary, vol. 1, Edited by Charles Merewether. Institute of Contemporary Art, Singapore

2010      “Alexei Remizov’s Creative Act,” Interfaces: Image Text Language, vol. 29. Edited by Maurice Geracht and Frédéric Ogée

2007      “Cézanne and the Poetics of Metonymy,” Word & Image, 23 (3), July–September

2003      “Blok’s ‘Gift of Hearing’ Through Remizov’s “Audible Colors,”” Slavic and East European Journal, Volume 47, Number 3

1996      “Melancholia II: An Interview with Manel Llèdos,” Graven Images: Studies in Culture, Law, and the Sacred, Volume 3

1995      “On the Iconography of ‘From Many Wounds You Bleed, O People’: An Intersection of Art and Literature,” The Print Collector’s Newsletter 25: 6


2008      Oleg Brezgin, Persona Diagileva v khudozhestvennoi kul’ture rossii, zapadnoi evropy i ameriki. Bibliographia. Perm’: 2007 (Diagilev’s Persona and the Artistic Culture of Russia, Western Europe and the United States. A Bibliography), book review, SEEJ 52.3 (Fall)

2007      “Crossing the Boundaries: Alexei Remizov’s Artistic Space,” “Oni unesli s soboi Rossiiu,” (“They Carried Russia to Exile”), Symposium on the 65th anniversary of The New Review, Harriman Institute, Colombia University, The New Review

2005      Michael Urban with Andrei Evdokimov, Russia Gets the Blues:  Music, Culture, and Community in Unsettled Times (Cornell, 2004), book review, Canadian Slavonic Papers vol. 48, nos. 3-4

2001      “Vospriiatie fovizma i kubizma v russkoi kritike kontza deviatnadzatogo, nachala dvadzatogo veka.”  (“The Reception of Fauvism and Cubism in Turn-of-the-Century Russian Criticism”) Norwich Slavic Conference Proceedings, Konetz veka kak kul’turnyi fenomen (The End of a Century as a Cultural Phenomenon)


2014  Tom of Finland, PICKS, 02.12

2013   Iva Gueorguieva, PICKS, 09.23

           “Painting,” PICKS, 01.05

2012      Tsibi Geva, PICKS, 09.15

               Lawrence Weiner, PICKS, 06.06

               “The Economy of Means,” PICKS, 03.14

               “Requiem for the Sun: The Art of Mono-ha,” PICKS, 03.10

2011      Juan Downey, PICKS, 10.15.11

               Dmitrii Prigov, in print, October 2011

               Paul Gaultier, PICKS, 09.10.11

               “Venice in Venice,” PICKS, 06.07.11

               Paul Kos, PICKS, 05.04.11

               Xavier Veilhan, PICKS, 04.07.11

               LG Williams/Estate of LG Williams, in print, May 2010

               Aki Sasamoto, PICKS, 01.17.11

2010      Taiji Matsue, PICKS, 11.04.10

               Yuuki Matsumura, in print, October 2010

               “Nanugi Agency, PICKS, 09.15.10

                Nobuyoshi Araki, in print, September 2010

                William Eggleston, PICKS, 07.10

                 Miwa Yanagi, in print, May 2010

                  Tamotsu Ikeya, in print, March 2010

                 Ohad Matalon, PICKS, 04.08.10

                 MeeNa Park, PICKS, 03.03.10

                 Kosuke Ichikawa, PICKS, 01.21.10

2009      Shinro Ohtake, PICKS, 11.08.09

                Seiji Aruga, PICKS, 10.15.09


2014      “On Abstraction, Ed Moses, and the Need to Explain”

2014      “Dave Hickey in Los Angeles: Pirate vs. Farmers”

2013      “Miley Cyrus Strikes Again, or the Destruction of the Pendulum”

2013      “From Raku-Fired Vessels to Large-Scale Installations: Wayne Higby’s Ceramics Retrospective at the ASU Art Museum”

2012      “Le Prix Marcel Duchamp récompense-t-il la créativité?”

“Art in ‘Paradise’ (Far From the Art-Industrial Hive)”

“The School of Things”: Japanese Art c. 1970 Comes to Los Angeles 

2011    “Turkey with the Side of Ajax: Thanksgiving According to Alice Neel”